March 2020 Playing Bach virtually with Music of the Baroque during the quarantine Listen >
Nov. 10, 2019 •
Chicago Chamber Players
Kate Carter, violin, Claudia Lasareff-Mironoff, viola, Paula Kosower, Violoncello, Sunghoon Mo, piano
Piano Quartet in A minor, Op. 67 – Joaquin Turina Listen >
Nov 10, 2019 • Claudia Lasareff-Mironoff, viola and Elena Abend, piano
Premiere performance of the Sonata for Viola and Piano by South African composer Peter Klatzow Listen >
Review
March 1, 2020 •
Chicago Philharmonic
Moody 'Trisagion' the latest addition to Chicago Phil and Visceral Dance's developing friendship
Visceral Dance Chicago performed with the Chicago Philharmonic Society March 1 at the North Shore Center for the Performing Arts.
"Of particular note, here and throughout the concert, the oft-unappreciated viola section is mightily featured, with sonorous solos for the principal violist, Claudia Lasareff-Mironoff, in the second piece: Grazyna Bacewicz’s 'Concerto for String Orchestra' (1948). This was a piece I had not heard, or heard of. Indeed, Speck’s introduction of it went so far as to guess it had not been played live in the Chicago area until now."
Swearing in Ceremony and Reception for the New
U.S. Ambassador to Malta, G. Kathleen Hill
Violist Claudia Lasareff-Mironoff was a guest of the State Department and performed her arrangement of the Star Spangled Banner at the reception.
Fulcrum Point String Quartet, Mathias Tacke and Rika Seko, violins, Claudia Lasareff-Mironoff, viola, Mark Brandfonbrener, violoncello. Performing Tango Suite by Elliot Bark (First Movement)
at the Music Institute
of Chicago 2014
Classical
Vocal Reprints has published Five
American Duos for Viola and Mezzo-Soprano written for
Claudia Lasareff-Mironoff and Julia Bentley by the composers Robert
Lombardo, Kathleen Ginther and Elizabeth Start (compiled and edited
by Claudia Lasareff-Mironoff).
These beautifully
crafted compositions are well suited for the combination of viola
and voice and represent excellent additions to the recital repertoire. These
works have received warm praise from audience members and performing artists
alike. Even those not accustomed to the new music experience found that
the colorful and expressive music and poetry made the pieces highly accessible.
